Donor challenge: Your generous donation will be matched 2-to-1 right now. Your $5 becomes $15! Dear Internet Archive Supporter,. I ask only once a year. FILM TECHNIQUE AND FILM ACTING The Cinema Writings of V. I. PUDOVKIN Translated by IVOR MONTAGU Introduction by LEWIS JACOBS BONANZA. Richards also gave a link to Pudovkin’s book Film Technique and Film Acting — a collection of his writings on cinema that was published in.
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Film Technique and Film Acting
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Vsevolod Pudovkin – Wikipedia
No more valuable manuals of the practice and theory of film making have been written than these two handbooks by the notable Soviet director. So sound are their points of view, so valid their tenets, so revelatory their analyses, that they remain today, twenty years after their initial appear ance, the foremost books of their kind. First published abroad in and respectively, Film Technique and Film Acting brought to the art of film making a code of principles and a rationale that marked the mediums analytic coming of age.
Until their publication, the motion picture maker had to eke out on his own any intellectual or artistic considera tions of film craft. No explicit body of principles existed upon which the film maker could draw with confidence. Film technique was a more or less hit or miss affair that existed in a kind of fragmentary state which, in the main, leaned heavily upon theatrical methods.
These pioneering books made clear at once that movie making need no longer flounder for a methodol ogy or for its own standards.
Now film theory and practice could be attacked with greater assurance and efficiency Published January 1st by Outlet first published January 1st To see what your friends thought of this book, please sign up. To ask other readers questions about Film Technique and Film Actingplease sign up. Be the first to ask a question about Film Technique and Film Acting. Lists with This Book.
This book is not yet featured on Listopia. Jan 18, Carolani rated it it was amazing. Throughout the decades of filmmaking, this novel remains relevant. Despite being published in ,and though the technologies and some fundamental practices have since been developed it captures the soul of film as an art and medium. Though it is important to study from contemporary examples, it is also important to draw back to the techniques that were developed by the Soviets nearing a century ago, being that this was written by a Soviet filmmaker, and translated into English.
Essentially, i Throughout the decades of filmmaking, this novel remains relevant. Essentially, it is a foundation to cinematic language. It has a broad vocabulary, though everything is thoroughly explained and elaborated upon.
It was incredibly thought provoking. I found myself making notes, marking up all the pages in black ink. The elements were explained in such a way that allowed the reader to come to their own conclusions, while still providing a well defined framework of ideas. The goal is for the reader to come out a better filmmaker, and it achieves this. If there was something that felt unclear, the example would really draw it out.
Although I had never heard of any of the films that were used in the puddovkin, they were still very helpful. When the importance of the editing process was described, Pudovkin explained his experience with creating an explosion for one of his films.
Though a lot of money was spent on creating real explosions, they ended up using a flamethrower to simulate the visual. This simple example highlighted the topic, was engaging, and thought provoking.
Film technique ; and Film acting : the cinema writings of V.I. Pudovkin
It also addresses the fact that every film advances filmmaking. For any given film, constricted by the budget, there may be new technologies created to solve a contextual issue, that then goes forth to advance the entire industry, art, and medium. Essays in Film Theory, you would enjoy this novel.
In addition, if you are a fan of any of Stanley Kubrick’s films including The Shining, It was cherished by Kubrick throughout all of his years of filmmaking. He owned multiple copies, because he made so many annotations.
Mar 24, Joshua Stephen rated it it was amazing. I was actually awarded a plaque in my honor in this book at the William T. Young Library at the University of Kentucky. Yes, this book is that important and not on many reading lists for students.
May 02, yener rated it it was amazing. Feb 16, Benjamin rated it it was amazing. Delicious reading for anyone into film studies, wanting to know more about the vision and thought on film from one of the truest montage storytellers. Jonathan Dickstein rated it really liked it Oct 03, Aziz rated it it was amazing Aug 31, George Nicholls rated it it was amazing Apr 05, John Kestner rated it it was amazing Jan 10, Jafeer rated it it was amazing Jan 27, Matthew Robbins rated it it was amazing Dec 30, Edward Gero rated it it was amazing Oct 04, Guid rated it it was amazing Nov 07, Philip Mercadante rated it it was amazing May 22, Joshua rated it liked it Aug 01, Alex Cristo rated it it was ok Apr 15, Andrew Mcgregor rated it it was amazing Dec 19, Matteo Ceccatelli rated it it was amazing Jul 14, Christopher rated it liked it Oct 01, David W Brown rated it it was amazing Mar 18, Jack Manzi rated it really liked it Jul 20, Cory rated it liked it Dec 07, J Luis Rivera rated it really liked it Mar 19, John rated it really liked it Aug 08, Burak rated it liked it May 08, There are no discussion topics on this book yet.
Vsevolod Illarionovich Pudovkin was a Russian and Soviet film director, screenwriter and actor who developed influential theories of montage.
Pudovkin’s teechnique are often contrasted with those of his contemporary Sergei Eisenstein, but whereas Eisenstein utilized montage to glorify the power of the masses, Pudovkin preferred to concentrate on the courage and resilience of individuals. Books by Vsevolod Pudovkin. Trivia About Film Technique an No trivia or quizzes yet.
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